I’ve actually never heard of them before, but they run a regular book prize — this year judged by Lucille Clifton, last year judged by Tony Hoagland, so obviously they’re willing to pay their judges.

As I’ve mentioned before in the comments on here, we’re running an essay in our fall newsletter by David Alpaugh about the impact all these book contests are having on poetry publishing, where the entry fees pay for the printing, so that the presses themselves have no investment whatsoever in their authors, no motive to help market the books, and no need to publish quality poetry in the first place. As David describes, we’re all so scared of the corruptions exposed by Foetry that we don’t notice the entire system has been corrupted. (Hmm…what other aspects of our culture might mirror that?)

There’s no better primer for that essay than this cautionary tale. Everyone planning on entering a contest should read this, even if it’s just entering the Rattle Poetry Prize. I can’t imagine what it would feel like to have this happen to my own book. And if you don’t know the press that you’re sending yours to, it could happen to you. Tony Hoagland’s name at the top isn’t verification enough. I wonder if he and Clifton are aware of this.

Like I said, I don’t know anything about Cider Press Review, and have only heard one side of the story. I’ve been looking around online and can’t find any independent confirmation of Brown’s claim that Cider Press has a history of unethical behavior. It’s worse than he-said-she-said, because so far only one of them is doing the talking.

So no, don’t boycott Cider Press Review. At least not yet. Maybe P&W will expose the whole story, as has been suggested. But still read the precautionary tale — whether genuine or apocryphal, it’s still worth thinking about.

____________

UPDATE: Thanks for pointing this out in the comments, Rachel: Lucille Clifton has now backed out as this year’s judge, according to the Cider Press website, “due to work load and scheduling conflicts.”  Read into that what you will, but it’s certainly interesting to see.

And for the record, I’ve already confessed my love of Tony Hoagland here.  I’ve never met him, but his poetry makes him seem like the kind of guy you’d like to have a beer with.  (Hell, that’s enough of a platform to run for president.)  Since there’s no hard evidence of wrongdoing, and the whole thing is just hearsay, I don’t know what the dissenters expect him to do — other than maybe not judge a Cider Press contest again, but he wasn’t going to judge twice anyway.

The lesson here has nothing to do with the individuals involved.  Brown’s story is appropriately called “a cautionary tale” — it’s just something to think about when entering contests in general.

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